Cam by Mazzei & Goldhaber

A postcapitalist interlewd:

I.  The cam girls and boys organize themselves into a collective syndicate, ousting the corporate platform that takes 50% off the top of their earnings and replacing it with their own DIY platform.

II.  The Syndicate develops a profit-sharing program in which a substantial proportion of the revenues is divided among all of the members of the Syndicate, substantially leveling the income disparity between high and low earning cammers.

III.  Instead of a free-for-all of individual cammers copying the top earners to boost their ratings and earnings, the Syndicate establishes an R&D lab for developing routines, props, staging, acting techniques, etc. with proven audience appeal.

IV.  With competition being minimized as a motivating force, many of the more ambitious and high-achieving cam girls and boys quit the business.

V.  The Syndicate establishes a school for novice cammers, with courses taught by experienced practitioners based on their own experiences and lab findings.

VI. The cam customers organize themselves into a purchasing co-op, negotiating a per-performance price paid to the Syndicate for unlimited open-access viewing instead of individually paying subscription fees to the cam platform and/or tips to the cammers.

VII.  No longer able to juice their competitive sense of power and status through extravagant tipping, many of the big-spending audience members abandon cam world.

VIII.  Together, the cammer Syndicate and the customer Co-Op promote camming not as a consumer commodity but as a performance art, a liberated form of entertainment, a collective intervention for enhancing pleasure among the populace, a valuable cultural resource.

IX.  The cam audience dwindles, the covert thrill of indulging covertly in naughty behaviors being replaced by the wholesome patronage of the arts.

X.  The Syndicate’s R&D lab launches a fleet of cam AIs, able to perform 24/7 at a high level without taking a share of the revenues.

XI.  The cam audience dwindles further, no longer positioned as sadistic voyeurs paying to watch human cam girls and boys abase themselves for money but as rubes watching simulated girls and boys perform simulated masochistic acts.

XII.  A revival of old-school camming springs up, with cam girls and boys competing for ratings and tips while audience members compete for sugar-daddy spending status.

XIII.  Rumors circulate about an alternative underground camming movement in which cam girls and boys perform for no money before simulated audiences or no audiences at all, motivated solely by self-expression and the perfection of art for art’s sake.

XIV.  Solo onanism, unaided by device or gaze, enjoys a resurgence, while copulation, experienced by those who’ve tried it as too interpersonally threatening, sags into impotence.

Cam the movie can be streamed on Netflix.

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